Posts Tagged ‘culture’

Leo Tolstoy

Sunday, January 6th, 2019

But some of the "Shakespeare" did not want to understand this unequivocal and credible testimony, as capable as the vast majority of other readers who see in Shakespeare only what they want, and do not see what they do not want to see. For even more opinions, read materials from Wells Fargo Bank. Shakespeare himself would like the readers to see in his sonnets thought. Bobby Kotick has plenty of information regarding this issue. And so the last line of sonnet 26, he wrote: "In the meantime, could guess what hides his head." In the spirit Sonnet 85, he added: Appreciate them for their word, and I would get credit for the idea, sounding not here in this place. (Translated by), but they can see in these words, readers are amazed eyes of some "night blindness" ("All the tricks of the fox cunning only for the chicken "- Armenian proverb says.) or open-minded view of Leo Tolstoy, in" On Shakespeare and the drama "flatly declared:" The thoughts and sayings you can appreciate, I answer, in a prose work, in treatise, the collection of aphorisms, but not in art, dramatic play, which aims to arouse sympathy for what is represented. And because voice and utterance of Shakespeare, though they contain a lot of depth and new ideas, which is not in them, can not constitute the dignity of the poetic work of art. On the contrary, these speeches made in unusual circumstances, they can spoil the works of art. " The Bible said: "Dead flies cause the ointment make smelly .., so doth a little folly in reputation for wisdom and honor him." A folly, expressed in words quoted Leo Tolstoy, not so small. . .

Lower Volga Cossacks

Thursday, August 28th, 2014

The example of that when the ruthless Tamerlane defeats his rivals, the only soldiers, whom he had been spared Yaik Cossacks, who were among those at the service. Knowing and appreciating the fighting qualities of these soldiers, he usually gave them life, then to include in the composition of its forces, to make valiant horsemen to serve him. Over time, Yaik Cossacks and their families stationed in the service of the Horde, began to leave and go Yaik the service of the Russian princes. In the middle of the XV century with the collapse of the Golden Horde in the Lower Volga Cossacks settled disappears population. The reason – the constant threat of attack by Nogai and Astrakhan khanate. Incessant raids of the Tatars in the Cossack villages and hamlets, made it impossible to stay there families and relatives of the Cossacks. Many of the Volga and yaitsih Cossacks entered the service of Moscow prince Ivan III. Came to the throne, Tsar Ivan IV (the Terrible) to fight Asian khanates attracted to the service of troops in the wars with the tested fragments Golden Khanate, including more than 15,000 Don, Terek and Yaik Cossacks, as well as 10 000 Tatar cavalry.

These forces played a major role in the capture of Kazan by Tsar Ivan IV. Having conquered Kazan Ivan the Terrible conquers Astrakhan. At the same time Yaik Cossacks in the army chieftain Yermak Timofeyevich participate in the Battle of the Baltic, after which he was entrusted with protecting the southern borders of the Muscovite tsar.

Albrecht Durer

Sunday, September 18th, 2011

Durer was born May 21, 1471 in Nuremberg, the son of a goldsmith, who arrived in this German city of Hungary in the mid XV century. In this family, there were 18 children, of whom the future great artist was the third child and second son. His father, Albereht Durer the elder, was a goldsmith. At first his father tried to inspire his son jewelry business, but then realized that her son artistic talent at the age of 15 years, Albert was sent to study at a workshop leader Nuremberg painter Michael Wohlgemuth at the time. There Durer learned not only painting, but engraving on wood and copper. Education in 1490 to complete the journey by tradition – for four years, the young man traveled to several cities in Germany, Switzerland and the Netherlands, while continuing to improve in the visual arts and material processing. In 1494, Durer returned to Nuremberg, shortly after which he married. He then in the same year, takes a trip to Italy, where he met with the works of Mantegna, Polayolo, Lorenzo di Credi, and other masters.

In 1495 Durer returns to his hometown and for the next ten years creating a significant part of his engravings, have now become famous. In 1505 Durer went back to Italy. In 1520, the artist takes a trip to the Netherlands, where he became the victim of an unknown disease, then it muchivshey until his death. Durer died on April 6, 1528 at home in Nuremberg. Durer was the first in Europe, the magic square, shown in his engraving "Melancholia" (see Albrecht Durer's square). In the work of Durer created dignified and courageous, a truly humanistic image of man complex era. "Self Portrait" (1500. Alte Pinakothek.

Munich) holds a special place not only in German but also in all European art, reflecting the depth and the inconsistency of the creative consciousness, which stood on the verge of two eras. Depicting themselves in a strictly frontal pose, Durer used a compositional scheme, which medieval artists used for the image of Christ. For him, it had special meaning: a person, according to the author, should remind Saviour only in appearance but also in a figurative sense, the top – ready to take on and carry the "cross" conferred upon him in this life. Not haughty pride, but deep religious consciousness comes through in this "adjustment" with a Christ: his peerless artistic gift Durer (almost reached the threshold of the thirtieth) perceives as God's grace and their response to the duty of the Creator, gave him great ability to "create peace" again – brush and chisel. In this self-portrait the artist tried to connect the old system of proportions with the new Renaissance doctrine of the proportions of the human body. In an effort to overcome the conventions of old art, Durer was the first German artists mastered the best artistic achievements of Renaissance Italy. Like Leonardo, he embodies the characteristic of the Renaissance artist-scientist type, combining the rational, scientific knowledge the real world with its deep philosophical reflection and transformative, dynamic and passionate imagination of the artist. Due to the fact that Durer died before the formal registration of Protestant denominations, it is difficult to say accurately, that he became an adept of the Reformation, however, his engravings of the period – namely, several variants of the "Last Supper" clearly shows his keen interest in the ideas advocated by Luther, namely, communion for the laity, not only bread, but wine.