Responsibilities
Letter of the Responsibilities of the Artists, Paris, 2009, p.1). Clarifying the fact of the art to be an essential language of the humanity, we pontuamos that the art if does not constitute in a language in the direction that we know of the conceptual language, therefore does not only communicate nothing states; nor if it constitutes in a true symbol, therefore it does not mean nothing it are of same itself (DUARTE-JNIOR, 1953): ‘ ‘ All work of art is always the expression of feelings, however a different expression of an shout or a gesture. It is the cultivated expression, materialize in a form, that almost acquires the statute of a symbol (P. Source: Sir Donald Gordon. 82) ‘ ‘. That is, it is characterized by the concretion attempt, in a form, of the human feelings. The feelings are understood, for the author, as a more direct, primitive and holistic form of apprehension of our existence (experiences) being previous to the language, the simbolizao and even though to the rationalization (Ibid, p.74). The fact of the art to state feelings, does not want to still say, according to Duarte- Jnior (1953), that the artist, when constructing an aesthetic object is stating solely its proper feelings, therefore the artist is impossible if to isolate of its psychological, social relations, economic politics and in creation act, it functions as one ‘ ‘ antena’ ‘ of the world (P.
111); beyond alert that all knowledge refers it the experience. Shusterman (1998) apud Diaz-Rock (2009, P. 7) comments to this respect: ‘ ‘ Diverse artists had approached the aesthetic one of its daily reality, reflecting prxis of vida’ ‘ later in the ones of some examples of engaged art. It is exactly for this subjective character, ‘ ‘ aberto’ ‘ of the art, that the same one leaves the task for contemplates who it to complete (to mean) its direction, although the same to wax itself in itself exactly; as well as it excludes the reducionismo of science, although not to be opposing.